黄天飞. 略论《文心雕龙》之“才锋”说[J]. 华北电力大学学报(社会科学版), 2022, 3(6): 100-107. DOI: 10.14092/j.cnki.cn11-3956/c.2022.06.011
引用本文: 黄天飞. 略论《文心雕龙》之“才锋”说[J]. 华北电力大学学报(社会科学版), 2022, 3(6): 100-107. DOI: 10.14092/j.cnki.cn11-3956/c.2022.06.011
HUANG Tian-fei. On the Theory of “CaiFeng” in Wen Xin Diao Long[J]. JOURNAL OF NORTH CHINA ELECTRIC POWER UNIVERSITY(SOCIAL SCIENCES), 2022, 3(6): 100-107. DOI: 10.14092/j.cnki.cn11-3956/c.2022.06.011
Citation: HUANG Tian-fei. On the Theory of “CaiFeng” in Wen Xin Diao Long[J]. JOURNAL OF NORTH CHINA ELECTRIC POWER UNIVERSITY(SOCIAL SCIENCES), 2022, 3(6): 100-107. DOI: 10.14092/j.cnki.cn11-3956/c.2022.06.011

略论《文心雕龙》之“才锋”说

On the Theory of “CaiFeng” in Wen Xin Diao Long

  • 摘要: “才锋”是《文心雕龙》中一种独特的象喻批评形式,其以器物锋锐的触觉感官形态来比附人的文学才能,并由此指示相应的理论思想。崇尚“才华的锋芒”所立足的是“锋”与特定文才的逻辑构合,这主要包括二者在发露的趋向、刚健的特征以及效应发挥过程上的一致。语义上的相通又自然导出刘勰文才思想在文化渊源与尊奉形式上的某些特质,前者为对道家藏锋运才观念的突破,而后者则是对“风骨”艺术理想在文才领域中的拓展。

     

    Abstract: “Cai Feng” is a unique form of metaphorical criticism in Wen XinDiao Long. It compares people's literary ability with the sharp tactile sensory form of utensils, and indicates the corresponding theoretical thought. Advocating “the edge of talent” is based on the logical combination of “Feng” and specific literary talents, which mainly includes the consistency of their revealing trend, vigorous characteristics and effect exertion process. The semantic similarity naturally leads to some characteristics of Liu Xie’s literary talent thought in cultural origin and worship form. The former is a breakthrough in the Taoist concept of “Cang Feng”, while the latter is an expansion of the artistic ideal of “Feng Gu” in the field of literary talent.

     

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