苑汝杰. 辛稼轩琴情琴事考[J]. 华北电力大学学报(社会科学版), 2020, 1(1): 93-100. DOI: 10.14092/j.cnki.cn11-3956/c.2020.01.012
引用本文: 苑汝杰. 辛稼轩琴情琴事考[J]. 华北电力大学学报(社会科学版), 2020, 1(1): 93-100. DOI: 10.14092/j.cnki.cn11-3956/c.2020.01.012
YUAN Ru-jie. Xin Jiaxuan and Guqin[J]. JOURNAL OF NORTH CHINA ELECTRIC POWER UNIVERSITY(SOCIAL SCIENCES), 2020, 1(1): 93-100. DOI: 10.14092/j.cnki.cn11-3956/c.2020.01.012
Citation: YUAN Ru-jie. Xin Jiaxuan and Guqin[J]. JOURNAL OF NORTH CHINA ELECTRIC POWER UNIVERSITY(SOCIAL SCIENCES), 2020, 1(1): 93-100. DOI: 10.14092/j.cnki.cn11-3956/c.2020.01.012

辛稼轩琴情琴事考

Xin Jiaxuan and Guqin

  • 摘要: 宋代是中国古琴艺术的鼎盛时期,文人士大夫无不能琴尚琴。辛稼轩二十八首琴诗琴词,大部分写于闲废信州时期。稼轩借“高山流水”抒发内心的幽愤,希望琴书生活能消愁解忧。书院生涯,稼轩与弟子建立了深厚的情谊,他用“醉翁操”词与弟子叙别,跳出了以“醉翁操”写醉翁的藩篱。琴事交游中,稼轩用诗词记录了朋友弹琴、赠琴的生活画面,同时表达了自己的琴学观念。

     

    Abstract: The song dynasty was the heyday of Chinese guqin art. Xin jiaxuan wrote twenty-eight lyric poems, most of which were written during the idle and waste xinzhou period. Jiaxuan through the "high mountains and running water" to express his inner anger, hoping qinshu life can solve the problem. During his academic career, jiaxuan established a deep friendship with his disciples. He said goodbye to them with the word "drunken weng cao", and broke out of the barriers of writing about drunken weng with the word "drunken weng cao". Jiaxuan used poetry to record the life of friends playing the Guqin, giving the gift of Guqin at the same time to express their own Guqin idea of playing the Guqin.

     

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