重构他者历史——《步枪》中的历史民族志

Reconstructing History of the Other: The Historical Ethnography in The Rifles

  • 摘要: 列维纳斯认为:历史是今人之主体对过去之他者的回望,认识历史就要认识到一个从未在场的过去,肩负起对历史他者的绝对责任。威廉·沃尔曼的后现代历史小说《步枪》采用后现代多文体叙事手段,结合田野调查与官方文献,将主位视角对照客位视角,糅合了富兰克林航海之谜和因纽特人神话,以碎片化、个人化,同时又是基于严谨史实的文学手段重构了一部因纽特人历史民族志,维护为他者的公平和正义,建立了主体与历史他者的伦理关联。

     

    Abstract: Levinas holds that history is essentially a kind of connection between people, the retrospect of the present subject to the other in the past. Therefore, to understand history, we need to recognize a past that has never been present, so as to shoulder the absolute responsibility of the self to the historical other. William Vollmann's postmodern historical novel The Rifles employs postmodern multi-genre narrative techniques, integrating field research and official documents, juxtaposing the emic perspective with the etic perspective, and blending the mystery of Franklin's voyages and Inuit myth. It reconstructs an Inuit historical ethnography through fragmented, personalized yet factually rigorous literary means, upholding fairness and justice for the other and establishing an ethical connection between the subject and the historical other.

     

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